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IIACI INSTITUTE LAUNCHES IN CANNES AT AMERICAN PAVILION
IIACI PRESS RELEASE
Contact: Dr. Janeann Dill, Institute Founder-Director
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THINK IIACI! (pronounced ee-ah’-chee)
Advancing the creative practice and critical study of the global arts across the disciplines.
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IIACI VISITS SAUDI ARABIA!

WHAT A JOY TO VISIT DAR AL HEKMA WOMAN'S COLLEGE IN THE
SCHOOL OF DESIGN AND ARCHITECTURE IN JEDDAH ...
TRANSLATION OF ARABIC,
DAR AL HEKMA: “HOUSE OF WISDOM”
You may have become aware of this woman's college recently because Dar Al Hekma is the woman's college in Saudi Arabia where our Secretary of State Hillary Clinton held a Town Hall Meeting a few weeks ago. Dr. Salfeha Abdein is a Vice-Dean in charge of Institutional Development at Dar Al-Hekma and is the person who slated the college as Secretary Clinton's site for her Town Hall meeting while in Saudi Arabia. And I understand why! Like Secretary Clinton, these are a m a z i n g women who run this university as brilliant scholars and thinkers in their own right; such as Dr. Abedin who earned her Ph.D. at Cambridge in Sociology. What an immense pleasure to meet Dr. Abedin and have the privilege of spending time with her.
Bear with me on a personal note as I say this, but I must admit that I quite enjoyed being placed within such a fine tradition of speakers! (smiling)
My positive impressions didn't stop with Dr. Abedin however! The invitation to present my work and to teach Experimental Animation to the girls at Dar Al-Hekma came from an impressive Chair of the Design Department, Professor Dima Schneider. Professor Schneider came to Dar Al-Hekma from the American University in Beruit, Lebanon five years ago where she had taught for thirteen years and since taking the reins in Jeddah, she has led the Department of Design into a School of Design that is internationally accredited through the UK/London. Yet another brilliant woman who's background prior to Dar Al-Hekma was as a 3-D computer animation artist.
The faculty! A widely diverse and highly-educated international faculty of artists, graphic designers, and scholars from Poland, Lithuania, Portugal, America, and Saudi Arabia. Do not misunderstand me here: not only highly educated, but warm, inviting, humorous and supportive women who ROCK!
And the girls: twenty-one lovely young women in their black abayas who
impressed me with their intelligence and authentic desire to be introduced to the history of experimental animation and to the creative practice of
experimental animation outside the digital environment: in this case, an 'analogue' art of experimenting with animation that leaves the marks of
the artist's hands on the drawn images. These girls are very bright
undergrads, not unlike my terrific students in America! While the cultural
differences are enormous between the two, the love of learning and taking
intellectual risks remains constant.
Are you beginning to get the sense of this now? Of how delighted I was to find myself in this cultural environment by invitation?
Lastly, I presented the IIACI Institute alongside my paintings, drawings, scholarship, and film, PARIS IS A WOMAN, the final evening of the TAWASUL II Design Conference. (Translation of Arabic, TAWASUL: to connect, to communicate, to join together.) The two keynote speakers presented: myself and Monsieur Phillipe Jalladeau, a French filmmaker and Film Festival Director who was the first film scholar to bring a Middle Eastern Film Program to Europe many years ago. Jalladeau was educated in France and majored in Oceanography as an undergrad but found himself at Princeton for his graduate work in film with a post-grad stint at Stanford Film Institute where he produced award winning films world-wide. Every morning while there I delighted in his company while eating the absolutely delicious breakfasts at the Hotel Intercontinental ... yummy fresh figs, salmon, and hummus.
While I am not speaking here specifically about the challenges of a Kingdom that prohibits women from driving or from going out in public without covering themselves or for even going out in public alone, I was not unaware of those prohibitions. I was given a lovely abaya to wear while there and I wore it in respect for a culture I, as a Westerner, was visiting. In this short visit to Saudi Arabia, these prohibitions didn't deter from my sense of purpose towards my academic colleagues and my students. IIACI and I were there to advance the artist as a philosopher of creative intelligence, one whose necessity is to access the intuitive and the intellectual simultaneously.
How longer visits to such a diverse international culture will challenge
in the future remains to be seen, but I am quite clear on this visit: an absolute delight!
Dr. Janeann Dill,
IIACI: Institute Founder-Director
March 5-12, 2010
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TWENTY-ONE AWESOME
IIACI ACADEMIC INTERNS™ LAUNCHING 2010 PROGRAM IN CANNES MAY 9TH!
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SELECTED FOR VENICE FILM FESTIVAL!
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Congrats to all U.A. students who worked on film:
MAH: MOVING AROUND HEIDEGGER
is screening in Los Angeles at
ZERO FILM FESTIVAL
December 5th, 2010
Downtown Independent TheaterExperimental Film Program at 10:30pm
ZFF ROCKS!
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DVD RELEASED !!!
Preview a three-minute film clip of rare documentary footage
of JULES ENGEL on DVD released by iotaCenter's
KINETICA© VIDEO LIBRARY SERIES
JULES ENGEL: AN ARTIST FOR ALL SEASONS

